Mark them with one cup over each syllable. Remember, your ear, not your brain, is the ultimate authority. Mark the accents: listen to where you hear an accent and mark it with one wand over the syllable. Step by Step Guide to the Scansion Process Each of these repeating instances is called a "foot." After all the syllables are marked with wands or cups, go back and add foot-boundaries to separate the repeating instances of the same pattern. Should be used very rarely, if at all save it for cases where you are completely stuck over how to mark a syllable or in group situations where there is strong disagreement over whether a syllable is stressed or not. Marks syllables that are only partially accented. Marks the weaker (softer, shorter, or lower pitched) syllables Marks the stronger (louder, longer, or higher pitched) syllables The Four Symbols You Will Need for Scanning When we are learning to write in meter, scanning is also the best way to make sure our poems are doing what we intended-that they "scan" correctly. Scanning teaches us to hear poems better (with the soul's ear and/or the body's ear) and is an inimitable way to appreciate poems by others on a profound level. Notating the rhythm can force us to make crucial choices about the poem's music and meaning and their effect on us. Scanning a poem is a way of listening extremely closely to a poem's rhythm and marking what we hear. A good metrical poem "scans," meaning that its meter follows the rules-and also, we "scan" a poem when we mark its meter. "To scan" is both an intransitive and a transitive verb. Scansion of Annie Finch's poem "Landing Under Water" from the Readers Guide to her book Calendars, available for free download here Reading Lists on Poetry, Feminism, Goddesses & Witchery, SpiritualityĮxcerpted and adapted from A Poet's Craft: A Comprehensive Guide to Making and Sharing Your Poetry by Annie Finch (University of Michigan Press, 2012).“Are You a Good Witch …or a Bad Witch?”.
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